Episodes

Chance Wilcox explains how Dateline Resources’ proposed rare-earth mine could industrialize roughly 20,000 acres beside Twentynine Palms and Joshua Tree National Park, threatening residents, wildlife, water, air quality and a tourism-dependent economy.

Chris examines fireworks as a recurring source of wildland ignitions, explaining how invasive grasses and depleted firefighting capacity magnify the danger while proposing safer celebrations suited to desert communities.

Laura Cunningham and Kevin Emmerich trace Greenlink West from the Amargosa Valley toward northern Nevada, arguing that the transmission line will accelerate utility-scale solar, gas generation and hyperscale data-center development across intact desert.

Chris combines practical hot-weather safety with an examination of unequal heat exposure, contrasting voluntary recreation with the risks imposed on migrants, outdoor workers and incarcerated people who often cannot escape extreme temperatures.

After a personal loss and production hiatus, Chris speaks candidly about the podcast’s reach and asks listeners to help by reviewing, recommending and sharing the show so desert reporting can find the people who need it.

Content note: sadness. Due to the death of a close family member, we will return on June 5. Listen if you want a few details.

Russ McSpadden documents plans for a second wall through Organ Pipe and Cabeza Prieta, including damage to sacred geoglyphs, groundwater and wildlife habitat made possible by sweeping REAL ID Act waivers.

Cindy Bernard and Bernard Leibov respond to criticism of the High Desert Art Fair, distinguishing commercial fairs from biennials and arguing that art, education and economic survival can coexist with responsible participation in desert community life.

Chris follows Colorado River water through irrigation districts, alfalfa fields, dairies and beef production, showing why livestock feed dominates consumptive use and how food choices intersect with tribal rights, farm policy and river survival.

A personal history of Cima opens into the evolutionary partnership between Joshua trees and Shasta ground sloths, asking how a plant adapted to past climate shifts can migrate now that its most effective seed disperser is extinct.

Ruth Nolan and Chris examine how promotional media, upscale art events and imported visions can accelerate gentrification in the Morongo Basin, arguing that newcomers should listen to the land and existing communities before remaking either.

Chris explains how collapsing local media has stripped desert communities of context and institutional memory, and introduces the Fellowship for Desert Reporting as a way to support emerging journalists and deeper, systems-aware work.